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1971
Fashion Plate
1971 was the first year that the Met hosted the Met Gala. For the first theme ever, the Costume Institute decided on "Fashion Plate." As defined by Merriam Webster, fashion plate refers to "a person who dresses very fashionably," or "an illustration of a clothing style." Both definitions help to define what the Met Gala sets out to do.
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1972
Untailored Garments
In 1972, the Met Gala decied to focus on the less formal side of creation with the theme "Untailored Garments." The guests all wore free-flowing, abstract garments that had no tailored structure to them.
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1973
The World of Balenciaga
Following the death of Cristobal Balenciaga in 1972, the Met decided to honor his legacy with the theme The World of Balenciaga. As a Spaniard, Balenciaga took inspiration from bullrings, flamenco dancers, fishermen, the church, and other defining characters of the country. Guests honored the late designer by wearing his garments to the event.
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1974
Romantic and Glamorous Hollywood Design
In 1974, glamor of Old Hollywood was the theme. The Gala was full of big feathers, sparkles, and elegant gowns were all the rage. Cher's outfit was a highlight of the night as she brought themes of Hollywood to her personal taste with a sheer glitter and feather tight dress.
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1975
American Women of Style
American women were the chosen theme of 1975. Prominent figures from the 1800s to the late 1900s, such as Irene Castle, Isadora Duncan, and Josephine Baker, were acknowledged for their impeccable taste. Guests channeled these stylish women in their outfits for the evening.
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1976
The Glory of Russian Costume
The 1976 exhibition showed Russian garments from the Soviet Union. These pieces were speical because they were never before seen. The exhibition showed all sorts of dress, from low class to the extreme upper class, and really was able to paint a picture of what dressing in the Soviet Union was like.
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1977
Vanity Fair Treasure Trove
Diana Vreeland took a look at Vanity Fair's "treasure trove" for the Met Gala exhibition in 1977. The exhibition displayed about 500 items from Vanity Fair's private collection for viewers to see. The importance of clothes was the central theme of the event, and designers went all out with the outfits.
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1978
Diaghilev: Costumes and Designs of the Ballets Russes
Serge Diaghilev was an innovative and fascinating organizer for ballet and was the theme of 1978. His most famous works were his Russo-Oriental performances. They used Russian artists, musicians, choreographers, and dancers for Paris-based performances. He brought a new form of ballet to the dance world that was not highlighted before. For the 1978 gala, Diaghilev's costumes and designs were used as inspiration for the garments.
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1979
Fashions of the Habsburg Era: Austria-Hungary
Although it no longer exists, the Austria-Hungary empire was in the spotlight for 1979's theme. The Costume Institute looked to the fashion from the Austria-Hungary empire, specifically the fashion from Vienna, for their exhibition. Garments were made with these design principles in mind, as Viennese court dresses were a common garment worn by attendees.
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1980
The Manchu Dragon: Costumes of China, the Chi'ng Dynasty
The 1980 Gala wanted to highlight the embroidery and silks from the Chi'ng Dynasty. Guests wore intricately designed dresses made from fine silk and used the skills from the Chi'ng Dynasty in a modern way.
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1981
The Eighteenth-Century Woman
In 1981, designers looked back to the 18th Century for design inspiration. "The Eighteenth-Century Woman" theme brought back squared necklines, small waistlines, and bouffant skirts. Guests paid a whopping $350 to attend the gala, a price that seems insignificant compared to the ticket prices of today.
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1982
La Belle Epoque
For 1982, the Met centered the theme around the Belle Époque period. Starting in the early 1800s and spanning to the beginning of World War I, this period is characterized by optimism, economic prosperity, and technological and scientific progress. It took control of France and other parts of Europe. Women wore tightfitting corsetted dresses, and men wore dashing suits. It was a true marvel in fashion history and was reimagined in the modern era for the 1982 Met Gala.
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1983
Yves Saint Laurent: 25 Years of Design
Yves Saint Laurent was the man of the hour for the 1983 Met Gala. In honor of his 25 years of designing, guests wore garments designed by Saint Laurent or inspired by his work to the gala.
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1984
Man and the Horse
"Man and the Horse" was the theme for 1984. Although a rather abstract concept, guests were instructed to follow an equestrian theme for the event.
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1985
Costumes of Royal India
For 1985, India was the focus. This was the year that Cher showed up in the iconic see-through black and gold dress that has gone down in fashion history.
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1986
Dance
The theme for 1986 was vague, to say the least. Guests were instructed to follow a "dance" theme. Considering it was the 1980s, the theme makes sense for the age of disco. Guests showed up in designer prom-like dresses and other attire.
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1987
In Style: Celebrating Fifty Years of the Costume Institute
1987 marked the 50th anniversary of the Costume Insitute. Since the Costume Institue helps organize the Met Gala, they used that year's event to have an even bigger party than usual.
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1988
From Queen to Empress: Victorian Dress 1837-1877
Victorian dress is always used as inspiration for modern fashion. From John Galliano's Victorian-inspired dresses to the resurgence of the corset, the Victorian era was killing it in regards to fashion. For 1988, the Costume Insitute looked to the era for the theme of the gala.
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1989
The Age of Napoleon: Costume from Revolution to Empire
The French Revolution was the inspiration for the 1989 Met Gala. Guests and designers looked to fashion from 1789 to 1815 for inspiration.
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1990
Theatre de la Mode- Fashion Dolls: The Survival of Haute Couture
Haute Couture had its shining moment in 1990 as the Met Gala theme looked to the theatrical themes of the genre. Models, such as Naomi Campbell, wore bright and abstract garments to the event.
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1992
Fashion and History: A Dialogue
For the 1992 theme, the Met Gala attendees combined fashion and history to create elaborate looks. Christy Turlington channeled Audrey Hepburn's Breakfast at Tiffany's look for her Met Gala outfit.
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1993
Diana Vreeland: Immoderate Style
Diana Vreeland was recognized in 1993 for her work in fashion journalism. As a writer for Harper's Bazaar and as Editor-in-Chief at Vogue, Vreeland was an influential person in the fashion sphere.
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1994
Orientalism: Visions of the East in Western Dress
For 1994, the Costume Institue focused on the influence of Eastern fashion in the Western world.
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1995
Haute Couture
For the 1995 Met Gala, the theme was simple with Haute Couture. Glittering dresses and sauves suits took over the carpet for the exclusive event.
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1996
Christian Dior
For 1996, it was Dior's time to shine. The late designer was honored for his dedication to the world of fashion. Princess Diana was the one to watch as she wore a gorgeous navy blue gown with an extravagant sapphire and diamond necklace.
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1997
Gianni Versace
Gianna Versace got the spotlight in 1997. This was the year that the Met Gala was regarded as the "party of the year." At the party, Madonna, Cher, and Donatella Versace were pictured in their iconic looks together.
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1998
Cubism and Fashion
The Cubism and Fashion Met Gala highlighted how the traits of cubism have been incorporated into art and fashion. Guests wore outfits inspired by the works of Picasso and other cubist painters to the event.
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1999
Rock Style
The "Rock Style" theme of 1999 highlights the grunge look of the decade. From custom tees to fur, to a mix of hardcore and princess aesthetics, the looks were all over the place. Guests, such as Liv Tyler and Stella McCartney stayed true to the DIY nature of the rock, while others wore ballgowns that didn't follow suit at all.
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2001
Jacqueline Kennedy: The White House Years
Following the cancellation of the 2000 gala, the Met returned by honoring Jackie Kennedy. Originally scheduled in December, the event moved to April to get the festivities going.
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2003
Goddess: The Classical Mode
For 2003, the theme focused on classical themes and goddesses. However, most guests showed up looking like brides. White was a prominent color of the evening, and there was a mix of elegant gowns and streetwear styles.
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2004
Dangerous Liaisons: Fashion and Furniture in the 18th Century
For 2004, the Costume Insitute looked at the relationship between fashion and furniture. Guests wore glamorous gowns and sleek tuxedos to the event.
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2005
The House of Chanel
In 2005, Chanel got its recognition. Guests wore different outfits from the iconic brand.
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2006
AngloMania: Tradition and Transgression in British Fashion
In 2006, British fashion took over for "AngloMania: Tradition and Transgression in British Fashion." From British punk icons like Johnny Rotten to the designer of the decade Vivienne Westwood, the 2006 gala served some iconic looks.
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2007
Poiret: King of Fashion
For 2007, the Met acknowledged Paul Poiret's legacy. The French designer was referred to as the King of Fashion, and all designers at the event took note. From corsets to dramatic ball gowns to regal looks, the 2007 Met Gala was one for the books.
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2008
Superheroes: Fashion and Fantasy
For the superheroes theme of 2008, we would expect capes. However, the attendees took the theme and turned it into fashion's interpretation of superhero costumes. Victoria Beckham wore a supervillian-inspired Giorgio Armani gown that had a high neck with a plunging neckline, whereas Kate Bosworth took the comic book theme to heart in a colorful Chanel gown.
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2009
The Model as Muse: Embodying Fashion
The theme for 2009 was really up to interpretation. Having the "model as the muse" allowed designers to take their imagination in any direction they wanted. Some attendees went all out with avant garde looks, while others played it safe. It was a mix of aesthetics that came together under one theme.
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2010
American Woman: Fashioning a National Identity
In 2010, the Met looked to America for inspiration for the first time. Focusing on American women, guests wore outfits by American designers and themed by the country. Red, white and blue were the major colors of the night.
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2011
Alexander McQueen: Savage Beauty
Staged the year after the passing of Alexander McQueen, the Met honored the designer's incredible legacy. Still-mourning friends of the designer attended the gala in his honor in different variations of McQueen's designs. Some wore his own label, while others chose to highlight his aesthetic with different brands.
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2012
Schiaparelli and Prada: Impossible Conversation
For 2012, the Met theme focused on the ideals of Elsa Schiaparelli and Miuccia Prada. Schiaparelli made a name for herself in the '20s and '30s, while Prada made a name for herself in the '80s and '90s. Due to the gap in time, this "conversation" between the two would never happen, but both women shared similar ideals and principles. Many guests in attendance wore Prada, but some ventured out into Miu Miu, a subsidiary of Prada's grandfather's design house.
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2013
Punk: Chaos to Couture
In 2013, the Met Gala brought us back to the days of punk with the theme "Punk: Chaos to Couture." Guests wore their best punk attire with fishnets, mesh, and sharp cuts taking over the carpet.
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2014
Charles James: Beyond Fashion
For 2014, the Met highlighted English-American designer Charles James. Sarah Jessica Parker, Bradley Cooper, and Oscar de la Renta co-chaired the event. Guests wore ball gowns and lively outfits in honor of James and his legacy.
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2015
China: Through the Looking Glass
The gala celebrated China's influence on western fashion for the 2015 exhibition. Looks from Chanel, Christian Dior, and Alexander McQueen were on display. Rihanna stole the show with her iconic yellow gown designed by Chinese designer Guo Pei.
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2016
Manus x Machina: Fashion in an Age of Technology
Celebrating the age of technology, guests wore technology-inspired outfits. Claire Danes wore a glowing gown, while Emma Watson wore an outfit made from water bottles. The exhibition focused on the difference between handmade and machine-made garments.
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2017
Rei Kawakubo/Comme des Garcons: Art of the In-Between
In 2017, Rei Kawakubo was honored for her innovative designs. The event was co-chaired by Katy Perry and Pharrell Williams. Guests either wore designs from Kawakubo herself or wore outfits designed with Kawakubo's aesthetics in mind.
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2018
Heavenly Bodies: Fashion and the Catholic Imagination
2018's gala was filled with the holy spirit. For the "Heavenly Bodies: Fashion and the Catholic Imagination," the Met displayed rare artifacts from the Vatican and required guests to dress following a heavenly and religious dress code. Attendees took this theme and ran with it, and showed up in outfits inspired by the Pope, angels, and other religious figures.
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2019
Camp: Notes on Fashion
Taking inspiration from Susan Sontag's essay "Notes on Camp," the 2019 Met Gala theme focused on extravagance. Guests showed up in their most out-there looks to follow the theme. Stars such as Lady Gaga and Billy Porter went above and beyond for their looks, while others took a more simple route.
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2020
About Time: Fashion and Duration
Unfourtanetly, About Time: Fashion and Duration was cancelled due to the covid-19 epidemic.
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2021
In America: A Lexicon of Fashion
For the return to the Met Gala after the COVID-19 pandemic, the theme was In America: A Lexicon of Fashion. Guests were instructed to wear "American independence." Stars such as Timothée Chalamet and Billie Eilish wore American-inspired outfits.
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2022
In America: An Anthology of Fashion
The 2022 theme was In America: A Lexicon of Fashion. This is the second portion to the 2021 theme In America: A Lexicon of Fashion. This two-part exhibition focused on fashion in the United States.
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2023
Coming
Soon!
All information on this page is From L'Officiel USA